- “Tras la huella”-On the Track, episodes: “Estafa” -Scam & “Huella imborrable” -Indelible track. June-July 2012.
I worked as Art Director (Production Design) and Co-Director in the Tras la huella (On the Track) crime TV series, the only one of its kind in the country. It depicts factual events and it’s produced by the Higher Institute of Police Sciences of the Ministry of Interior.
This was my third time working in TV, spanning over 40 days in the production (pre-production and shooting). One of the series directors, my then Film History professor at the University of Arts of Cuba, had invited me to join the production. For the most part, the series was shot in location, with only a few exceptions. During every production, we shot two episodes. This time I worked on the episodes Estafa (Scam) and Huella imborrable (Indelible track).
As Art Director (Production Designer) I designed and supervised the art work for the locations, as well as the costumes and the make-up. I also created a mock interactive, police-search database, spoken-portrait sequences, documents, etc.
In a crew composed of about 40 people, as Co-Director, I was in charge of the second shooting crew directing scenes, as well directing extras, and giving the Producers and Direction Assistants the updates and work-plans for the upcoming days of shooting. In pre-production I also did some of the casting
- On the Track, episodes: “Ultimo aviso” I & II -Last warning I & II. January-February, 2012.
This was my second-time working in TV, and it again spanned over 40 days in the production (pre-production and shooting). One of the series directors, my then Film History professor at the University of Arts of Cuba, had invited me to join the production. For the most part, the series was shot in location, with only a few exceptions. During every production, we shot two episodes. This time I worked on the episodes Ultimo aviso I & II (Last warning I & II).
As Art Director (Production Designer) I designed and supervised the art work for the locations, as well as the costumes and the make-up. In a crew composed of about 40 people, as Co-Director, I was in charge of the second shooting crew directing scenes, as well directing extras, and giving the Producers and Direction Assistants the updates and work-plans for the upcoming days of shooting. In pre-production I also did some of the casting.
- On the Track, episodes: “Obsesion” -Obsession & “Tomografo” -Thomograph. March-April 2011.
This was my first work in TV, which spanned over 40 days for the production (pre-production and shooting). One of the series directors, my then Film History professor at the University of Arts of Cuba, invited me to join the production. For the most part, the series was shot in location, with only a few exceptions. During every production, we shot two episodes. I started working on Obsesion (Obsession) and Tomografo (Thomograph).
As Art Director (Production Designer) I designed and supervised the art work for the locations, as well as the costumes and the make-up. I also created a mock interactive, police-search database, spoken-portrait sequences, documents, etc.
In a crew composed of about 40 people, as Co-Director, I was in charge of the second shooting crew directing scenes, as well directing extras, and giving the Producers and Direction Assistants the updates and work-plans for the upcoming days of shooting. In pre-production I also did some of the casting.
